24th Athens International Film Festival

Thins to Come

27/9/2016, 20:00, Ideal

A philosophy professor watches her life fall apart: her husband is cheating on her, her writing career is faltering and her mother is slipping away. Can it be, though, that each ending marks a new (painful) start? Isabelle Huppert in yet another fearless performance, this time next to the wondrous new voice of French cinema, worthy recipient of the Best Director award at the Berlin Film Festival. Mia Hansen-Love's "Things to Come" is precisely the grown-up cinema we wish we'd see more often.

Copy of things to come

A philosophy professor watches her life fall apart: her husband is cheating on her, her writing career is faltering and her mother is slipping away. Can it be, though, that each ending marks a new (painful) start? Isabelle Huppert in yet another fearless performance, this time next to the wondrous new voice of French cinema, worthy recipient of the Best Director award at the Berlin Film Festival. Mia Hansen-Love's "Things to Come" is precisely the grown-up cinema we wish we'd see more often.

Director: Mia Hansen-Love
Screenwriter: Mia Hansen-Love
DoP: Denis Lenoir
Editor: Marion Monnier
Principal Cast: Isabelle Huppert, Andre Marcon, Roman Kolinka, Edith Scobb, Sarah Le Picard

France, Germany | 2016 | Color | DCP | 102' | French


      Festival Darlings

      Festival Darlings

      Julieta (opening film)

      Julieta (opening film)

      The chance encounter of a 50-year-old teacher with an old acquaintance will lead to the awakening of long-hidden ghosts from her past and urge her to sort out unsolved mysteries, open wounds and pending affairs of the heart about the man she loved, the daughter she brought into the world, her own parents and herself. A hymn to female nature from a director who has always used his films to pay tribute to the women in his life and his mind.

      Elle (closing film)

      Elle (closing film)

      After a violent assault from a stranger, a woman starts inventing surprising ways of taking the law into her own hands and turning herself into an offender. Paul Verhoeven's scandalous and sufficiently kinky return to directing is the exciting distillation of a partnership between a filmmaker who's not easily bullied, an actress who doesn't shy away from a challenge (Isabelle Huppert) and an enjoyably amoralistic story who loves to make its audience squirm.

      The Handmaiden

      The Handmaiden

      A young maid is sent to the mansion of a Japanese noblewoman in order to seduce her. The red-hot passion that erupts between them, threatens the plans of the man masterminding the operation. The virtuosic director of "Oldboy" masterfully envelops the best erotic thriller of the year with intriguing mystery, daring lesbian love scenes, metaphysical hints and unbelievable directorial prowess.

      All These Sleepless Nights

      All These Sleepless Nights

      Two students are unleashed onto Warsaw's endless nightlife and immerse themselves in alcohol, drugs and love. Something between documentary and fiction, the camera follows them from party to party and from pleasure to pleasure, set against a metropolis shedding its identity and a youth agonising over their next thrill. Nights when time dilates, loves lasting for a single smoke, enchanting cinematography and an excellent electronic soundtrack.

      Anthropoid

      Anthropoid

      Can the director of "Cashback", one of the most refreshing romantic comedies of the past decade, be up to the challenge of directing a suspenseful thriller about the real-life plan to assassinate Reinhard Heydrich, a notorious Nazi official? The answer is a resounding yes, as the film ends up being a heart-stopping experience with Cillian Murphy ("Peaky Blinders") again at the top of his game.