Athens International Film Festival
aiff

BRING ME THE HEAD OF ALFREDO GARCIA

The desperate vision and uncompromising lyricism of Peckinpah (‘The Wild Bunch’) compose a mournful ballad for the ultimate anti-hero (Warren Oates' performance is unforgettable). The anti-hero who saw his story come to life in frames soaked in alcohol and covered in dust. Who knows that there is no morality to his adventure which will inevitably meet its end down the barrel of a relentless machine gun. The ghost of the headless charmer, Alfredo Garcia, is none other than the untameable spirit of New Hollywood, which, before settling into studio life, embraced life in the margins where it met the poet of violence in a gritty bizarre neo-western masterpiece.


MEXICO / USA / 1974 / COLOR / DCP / 112’ / ENGLISH, SPANISH

Morbid and macabre, pessimistic to the point of irrevocable nihilism, but also weirdly lyrical in a seeming immodesty, the most personal (and self-criticising) film by Peckinpah is a timeless maverick. In its frames the era of the Western seems dead – decapitated even. The horizons and the snowy mountains, eternal, the same as when Mann and Ford filmed them, view from above rundown cars instead of horses, muddy carnages and ‘heroes’ with dark glasses instead of reflecting eyes – symbols of the emotional darkness they crave. Peckinpah actively tried to die prematurely, maybe to avoid any hint of artistic political correctness. This desolate film can be read as his exodus journal. I.D.

DIRECTOR: Sam Peckinpah
SCREENWRITERS: Gordon Dawson, Sam Peckinpah
DoP: Álex Phillips Jr.
MUSIC: Jerry Fielding
EDITORS: Garth Craven, Robbe Roberts, Sergio Ortega, Dennis E. Dolan
PRINCIPAL CAST: Warren Oates, Isela Vega, Robert Webber, Kris Kristofferson, Emilio Fernandez

SAM PECKINPAH (1925-1984)
American director and screenwriter. He studied History and on a postgraduate level Film in California. He was a marine in China during World War II. Assisted Don Siegel in five films. He worked extensively for television before focusing on cinema, where he constantly faced problems with the studios, due to the content of his films, budget cuts and quick temper.

FILMOGRAPHY (SELECTED)
1978 Convoy
1974 Bring Me the Head of Alfredo Garcia
1973 Pat Garret and Billy the Kid
1971 Straw Dogs
1969 The Wild Bunch
1962 Ride the High Country



        : New Hollywood

        MIDNIGHT COWBOY

        MIDNIGHT COWBOY

        29/09/22, 22:00, ASTY

        CHINATOWN

        CHINATOWN

        30/09/22, 19:00, DANAOS 1

        CARRIE

        CARRIE

        30/09/22, 22:00, TRIANON

        MANHATTAN

        MANHATTAN

        01/10/22, 18:00, IDEAL

        THE LAST DETAIL

        THE LAST DETAIL

        01/10/22, 22:00, ASTY

        DAYS OF HEAVEN

        DAYS OF HEAVEN

        02/10/22, 22:00, ASTOR

        HEAVEN’S GATE

        HEAVEN’S GATE

        03/10/22, 19:00, ASTY

        AN UNMARRIED WOMAN

        AN UNMARRIED WOMAN

        03/10/22, 19:00, TRIANON

        KILLER OF SHEEP

        KILLER OF SHEEP

        04/10/22, 17:15, ASTOR

        DELIVERANCE

        DELIVERANCE

        04/10/22, 19:30, TRIANON

        NIGHT MOVES

        NIGHT MOVES

        04/10/22, 22:00, ASTY

        FIVE EASY PIECES

        FIVE EASY PIECES

        05/10/22, 19:30, ASTY

        TAXI DRIVER

        TAXI DRIVER

        05/10/22, 22:00, IDEAL

        A NEW LEAF

        A NEW LEAF

        06/10/22, 17:15, ASTOR

        ALL THE PRESIDENT’S MEN

        ALL THE PRESIDENT’S MEN

        06/10/22, 19:00, ASTY

        DOG DAY AFTERNOON

        DOG DAY AFTERNOON

        06/10/22, 22:00, ASTY

        THE FRENCH CONNECTION

        THE FRENCH CONNECTION

        08/10/22, 17:30, IDEAL

        NASHVILLE

        NASHVILLE

        08/10/22, 20:30, ASTY

        THE GODFATHER

        THE GODFATHER

        09/10/22, 18:00, IDEAL

        THE LAST PICTURE SHOW

        THE LAST PICTURE SHOW

        09/10/22, 22:00, TRIANON