Radio Moscow

22/9/2016, 19:45, Odeon Opera 1

“Surreal allegory, black comedy, film noir in the guise of a kitsch musical, an intellectual version of “Showgirls” or anarchist cinema along the lines of Makavejev?”. These were the thoughts of film critic Babis Achtsoglou upon seeing the first feature-length film by Nikos Triandafyllidis about a cabaret club whose eclectic clientele includes charming scoundrels, alluring dancers and Harry Klynn in a role that runs counter to everything he’s done before in his career.

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